Aculturação dos consumidores entre fãs brasileiros de K-pop

Armando Perez Palha, André Luiz Maranhão de Souza-Leão, Bruno Melo Moura
DOI: https://doi.org/10.21529/RECADM.2024015

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A ressonância mercadológica do principal gênero musical da cultura pop coreana, denominada como K-pop, vem crescendo mundialmente ao longo dos últimos anos. Dentre os mercados consumidores, o Brasil se destaca pela maneira como os fãs deste gênero musical se articulam a valores de culturas historicamente distantes através de suas práticas de consumo. Neste contexto, o presente estudo buscou compreender como fãs brasileiros de K-pop experimentam um processo de aculturação dos consumidores. Para tanto, foram realizadas vinte entrevistas virtuais em profundidade com fãs brasileiros de K-pop de doze estados diferentes localizados nas cinco regiões do país. As entrevistas foram transcritas e organizadas, de modo a serem tratadas pela Análise de Conteúdo Interpretativa, o que permitiu a identificação de vinte e seis códigos associados a três categorias. Tais categorias refletem os resultados da pesquisa acerca das formas de aculturação dos consumidores experimentada pelos fãs brasileiros de K-pop, à saber: culto ao gênero musical, performance dos ídolos musicais e práticas comunais do fandom. Tais achados revelam que a aculturação dos consumidores se dá através da assimilação e integração de uma cultura estrangeira por meio de práticas de consumo experienciada por fãs.


Palavras-chave

K-pop; fãs; aculturação dos consumidores; análise de conteúdo interpretativa


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